m7b5 (m7-5) chords
The Minor 7th flat 5th chord is an alternation of the minor seventh chord, and is also known as half-diminished or Minor 7th minus 5th. This chord is identical to a minor seventh except that the fifth is lowered one step. By comparing Cm7 with Cm7b5 we can see that the notes change from C, Eb, G, Bb to C, Eb, Gb, Bb.
The easiest way to play these chords is by using the movable shape presented in the diagrams below (Am7b5 is partly an exception, with two open strings).
Minor 7th flat 5th (root in 5th string)
Cm7b5
C#m7b5
Dm7b5
D#m7b5
Em7b5
Fm7b5
F#m7b5
Gm7b5
G#m7b5
Am7b5
A#m7b5
Bm7b5
Comments
Am7b5 could of course also be played as x 12 13 12 13 x.
ø
Alternative chord names
Cm7b5 CøC#m7b5 C#ø / Dbø
Dm7b5 Dø
D#m7b5 D#ø / Ebø
Em7b5 Eø
Fm7b5 Fø
F#m7b5 F#ø / Gbø
Gm7b5 Gø
G#m7b5 G#ø / Abø
Am7b5 Aø
A#m7b5 A#ø / Bbø
Bm7b5 Bø
Note that this fingering is sometimes played as a rootless dominant 9th chord. For example X2323X as G9.
Chord formula
The minor seventh flat fifth is built with the formula 1-b3-b5-b7. This includes the root (1), the minor third (b3), a lowered fifth (b5) and the minor seventh.
Chord construction
Cm7b5 x - x - C - Gb - Bb - EbC#m7b5 x - x - C# - G - B - E
Dm7b5 x - x - D - Ab - C - F
D#m7b5 x - x - D# - A - Db - Gb
Em7b5 x - x - E - Bb - D - G
Fm7b5 x - x - F - B - Eb - Ab
F#m7b5 x - x - F# - C - E - A
Gm7b5 x - x - G - Db - F - Bb
G#m7b5 x - x - G# - D - Gb - B
Am7b5 x - x - A - Eb - G - C
A#m7b5 x - x - A# - E - Ab - Db
Bm7b5 x - x - B - F - A - D
Guitar versions of the chord
Notes in chord
Cm7b5 C - Eb - Gb - BbC#m7b5 C# - E - G - B
Dm7b5 D - F - Ab - C
D#m7b5 D# - F# - A - C#
Em7b5 E - G - Bb - D
Fm7b5 F - Ab - B - Eb
F#m7b5 F# - A - C - E
Gm7b5 G - Bb - Db - F
G#m7b5 G# - B - D - F#
Am7b5 A - C - Eb - G
A#m7b5 A# - C# - E - G#
Bm7b5 B - D - F - A
The intervals are 1 – 3b – 5b – b7
Movable shape with root on sixth string
The half-diminished with the root note on the 6th string can be played as shown in the diagram below. Am7b5 is played 5X554X. To help you memorize, compare with the shapes Am7 (5X555X) and Am11 (5X553X).
Example of chord progression:
Bbmaj7 - Dm/F - F#m7b5 (2X221X) - C/G - D7 - G6
Movable shape with root on fifth string
This is the same shape as presented above and might be the most recognizable of the shapes for the half-diminished chord.
For example, Ebm7b5 is played as X6767X with this shape.
Movable shape with root on fourth string
And lastly, a movable alternative with the root on 4th string.
For example, Gm7b5 is played as XX5666 with this shape.
Example of chord progression:
Fmaj7 (XX3555) - Em7b5 (XX2333) - Dm7
m7b5 in open position
Here are additional shapes in open position for this chord category:
C#m7b5: X45450
Dm7b5: XX0564
Em7b5: 010030 / 012030
F#m7b5: XX4210
A#m7b5: X12120
Example of chord progression:
Am7/E (XX2210) - Fmaj7 - F#m7b5
C - G/B - Em7b5 - Am11
Chord inversions
Here are fingerings of inversions for this chord category:
Bm7b5/D: XX0201
Em7b5/D: XX0353
Gm7b5/Bb: X1302X
A#m7b5/E: XX2324
How and when to use half-diminished chords
These chords are, for example, used as an in-between chord. It can be used both in its own key or in other keys where its tones partly match.
In jazz, for example, m7b5 are often used in minor harmonies as the ii chord:
Am7b5 - Dm7 - Gm7
It can substitute 7th or 9th chords, for example, and especially the V chord. An example with Em7b5 substituting the V chord:
Gmaj7 - Bm7 - Em7 - Em7b5 - Am7
Chord progressions
Progressions including this chord type:
Am7 - Bm7b5 - E7
Am7 - Abm7b5 - G7
Dm7 - Dm7b5 - G7 - Cmaj7
C7 - Em7b5 - A7 - Dm7 - G7
Fmaj7 - Bm7b5 - Em7
Minor seventh flat fifth is often used as in between chord in blues and jazz progressions.
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